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Altman, Rick (Hg.) (1992) Sound Theory, Sound Practice. New York u. a.: Routledge.

Attali, Jacques (1985) Noise. The political Economy of Music. Übers. v.Brian Massumi. Minneapolis, London: Univ. of Minnesota Press.

Augoyard, Jean-François; Torgue, Henry (Hgg.) (2005) Sonic Experience – A Guide to Everyday Sound. Montreal: McGill-Queen’s. University Press.

Barrass, Stephen (1998) Auditory Information Design. PhD Thesis, The Australian National University (online: http://thesis.anu.edu.au/public/adt-ANU20010702.150218/index.html)

Bijsterveld, Karin (2008) Mechanical Sound. Technology, Culture and Public Problems of Noise in the Twentieth Century. Cambridge Massachusetts & London, England: The MIT Press.

Blesser, Barry/Salter, Linda-Ruth (2006) Spaces Speak, Are You Listening? Experiencing Aural Architecture. Cambridge Massachusetts & London. England: The MIT Press.

Bonz, Jochen (Hg.) (2001) Sound-Signatures: Pop-Splitter. Frankfurt a.M.: Suhrkamp.

Bregman, A. S. (1990) Auditory Scene Analysis: The Perceptual Organization Of Sound. Cambridge Massachusetts & London, England: The MIT Press.

Bull, Michael/Back, Les (2003) The Auditory Culture Reader. Oxford & New York: Berg Publishers.

Bull, Michael (2000) Sounding out the City, Personal Stereos and the Management of Everyday Life. Oxford & New York: Berg Publishers.

Bull, Michael (2007) Sound Moves. iPod Culture and Urban Experience. London: Routledge.

Butler, Mark (2006) Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music. Bloomington, Ind.: Indiana Univ. Press.

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Chion, Michel (1983) Guide des Objets Sonores – Pierre Schaeffer et la recherche musicale. 2. Aufl., Paris. (English translation by John Dack: Guide To Sound Objects. Pierre Schaeffer and Musical Research, http://www.ears.dmu.ac.uk/)

Chion, Michel (1994) Audio-Vision: Sound on Screen. Columbia: Columbia University Press

Corbin, Alain (1995) Die Sprache der Glocken. Ländliche Gefühlskultur und symbolische Ordnung im Frankreich des 19. Jahrhunderts. Frankfurt a. M.: Fischer.

Cox, Christoph/ Warner, Daniel (Hg.) (2004) Audio Culture. Readings in Modern Music. New York u. a.: Continuum.

Erlmann, Veit (2004 Hg.) Hearing Cultures. Essays on Sound, Listening and Modernity. Oxford u. a.: Berg.

Diederichsen, Diedrich (1999) Der lange Weg nach Mitte: Der Sound und die Stadt. Köln: Kiepenheuer & Witsch.

Diederichsen, Diedrich (Hg.) (1993) Yo! Hermeneutics. Schwarze Kulturkritik: Pop, Medien, Feminismus. Berlin und Amsterdam: Edition ID Archiv.

Diederichsen, Diedrich (1985/2002) Sexbeat. 1972 – heute. Köln: Kiepenheuer & Witsch.

Feld, Steven (1982) Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression. Philadelphia: University of Pennsylvania Press.

Flückiger, Barbara (2001) Sounddesign: Die virtuelle Klangwelt des Films. Marburg: Schüren.

Hellström, Björn (2003) NOISE DESIGN: Architectural Modeling and the Aesthetics of Urban Acoustic Space. Bo Ejeby

Helms, Dietrich/Phleps, Thomas (Hg.) (2007) Sound and the City. Populäre Musik im urbanen Kontext. Bielefeld: transcript.

Howes, David (Hg.) (2005) Empire of the Senses. The Sensual Culture Reader. Oxford & New York: Berg Publishers.

Ihde, Don (1976/2007) Listening and Voice. Phenomenologies of Sound. State University of New York Press.

Kahn, Douglas (1999) Noise, Water, Meat: A History of Sounds in the Arts. Cambridge, MIT press.

Kassabian, Anahid (2002) “Ubiquitous Listening”. In: Hesmondalgh, David and Keith Negus eds. Popular Music Studies. London, Arnold.

Katz, Mark (2004) Capturing Sound. How Technology has Changed Music. Berkeley/Los Angeles/London: Univ. of Calif. Press.

Kleiner, Marcus S./Szepanski, Achim (Hgg.) (2003) Soundcultures. Über elektronische und digitale Musik. Frankfurt a. M.: Suhrkamp.

Langenmaier, Arnica-Verena (Hg.) (1993) Der Klang der Dinge. München: Design Zentrum München.

Luckner, Peter (Hg.) (2002) Multisensuelles Design. Eine Anthologie. Halle: Hochschule für Kunst und Design.

Helga de la Motte-Haber (Hg.) Klangkunst. Tönende Objekte und klingende Räume. Handbuch der Musik im 20. Jahrhundert. Band 12. Laaber: Laaber-Verlag 1999.

Nancy, Jean-Luc (2007) Listening. Übers. v. Charlotte Mandell. New York: Fordham Univ. Press.

Nardi, Carlo (2005) Playing by eye. Music-making and intersensoriality, PhD thesis, Università di Trento, 25 Novembre 2005

Phleps, Thomas and Ralf von Appen (Hgg.) (2003) Pop Sounds: Klangtexturen in der Pop- und Rockmusik. Bielefeld, Transcript.

Schafer, Raymond Murray (1977) The Soundscape. Our Sonic Environment and the Tuning of the World. New York: Destiny Books Rochester.

Schulze, Holger (Hg.) (2008) Sound Studies: Traditionen – Methoden – Desiderate. Transcript Verlag, Bielefeld.

Schulze, Holger/Wulf, Christoph (Hgg.) (2007) Klanganthropologie: Performativität − Imagination − Narration. Paragrana 16 (2007), H. 2, Berlin: Akademie Verlag.

Serres, Michel (1985) Philosophie des corps mêlés: Les Cinq Sens. Paris: Éditions Gallimard.

Spehr, Georg (Hg.) (2009) Funktionale Klänge. Hörbare Daten, klingende Geräte und gestaltete Hörerfahrungen. Bielefeld: Transcript Verlag, – Sound Studies Serie Vol.2.

Sterne, Jonathan (2003) The Audible Past. Durham & London.

Szendy, Peter (2008) Listen: A History of our Ears. New York: Fordham University Press.

Théberge, Paul (1997) Any Sound You Can Imagine: Making Music/Consuming Technology. Hanover, NH, Wesleyan University Press.

Thompson, Emily (2002) The Soundscape of Modernity. Architectural Acoustics and the Culture of Listening in America, 1900-1933. Cambridge, Mass.: MIT press.

Truax, Barry (1985/2000) Acoustic Communication. Westport, 2. Aufl.

Walser, Robert (1993) Running With the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover, NH, Wesleyan University Press.

Wicke, Peter (1986) Rockmusik. Zur Ästhetik und Soziologie eines Massenmediums. Leipzig: Reclam.

Wicke, Peter (1998) Von Mozart zu Madonna: Eine Kulturgeschichte der Popmusik. Leipzig: Kiepenheuer.

Wulf, Christoph/Kamper, Dietmar (Hgg.) (1994) Das Schwinden der Sinne. Frankfurt am Main: Suhrkamp Verlag.

Wurtzler, Steve (2007) Electric Sounds. Technological Change and the Rise of Corporate Mass Media. New York: Columbia Univ. Press.

Zak, Albin (2001) The Poetics of Rock: Cutting Tracks, Making Records. Berkeley, University of California Press.